![]() ![]() ![]() ![]() A grim little room, more like a closet of ghosts than any joint for music, the cracked heaters lisping steam, empty bottles rolling all over the warped floor. Couple hours before, we was playing in some back-alley studio, trying to cut a record. The sunrise so fierce it seeped through the gaps, dropped like cloth on our skin. See, we lay exhausted in the flat, sheets nailed over the windows. Esi Edugyan’s Half-Blood Blues is a story about music and race, love and loyalty, and the sacrifices we ask of ourselves, and demand of others, in the name of art. When they are invited to attend the film’s premier, Sid’s role in Falk’s fate will be questioned and the two old musicians set off on a surprising and strange journey.įrom the smoky bars of pre-war Berlin to the salons of Paris, Sid leads the reader through a fascinating, little-known world as he describes the friendships, love affairs and treacheries that led to Falk’s incarceration in Sachsenhausen. Hot Time Swingers band members Sid Griffiths and Chip Jones, both African Americans from Baltimore, have appeared in a documentary about Falk. He was twenty years old, a German citizen. Their young trumpet-player Hieronymus Falk, declared a musical genius by none other than Louis Armstrong, is arrested in a Paris café. The Hot Time Swingers, a popular jazz band, has been forbidden to play by the Nazis. Shortlisted for the Governor General’s Literary Award for Fictionīerlin, 1939. ![]()
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